Marcel Duchamp and Dadaism Essay Example for Free

Marcel Duchamp and Dadaism Essay The art of Dadaism had its roots as an anti-art movement. The period of time in Art History Dadaism represents was approximately period of time from 1916 to 1924. Dadaism rejected the way art was appreciated and the way art was generally being defined in contemporary art scenes at that time (Tomkins, 1985). Dadism art movement was a response to World War I and was founded in Zurich, Switzerland. There weren’t any unifying aesthetic characteristics in Dada art; however, the Dadaists did share an extremely skeptical attitude towards what were at the time, the expectations of artists and writers. The word â€Å"Dadaism† was chosen for its naive sound (Gale, 1997). After originating in Zurich, the Dadaism art movement continued to spread to places like Berlin, Cologne, Hanover, Paris, Russia and New York City (Gale, 1997). Many of the original Dadaist would gather at a nightclub in Zurich, Switzerland called Hugo Ball’s Cabaret Voltaire, to express their ideas (Tomkins, 1985). As far as the United States, the central locations for Dada art were Alfred Steiglitz’s gallery â€Å"291,† a studio at 291 Fifth Avenue, along with the studio of the Walter Arensbergs, a Harvard-educated U. S. resident and art collector (Tomkins, 1985). Because Switzerland was neutral to both WWI and WWII, objectors to the war, those avoiding military service and those who just wanted to find a place for free expression gravitated to Switzerland. Integral to the Dada movement was the attempt not to categorize the art work using any association with any reference to analyzing the art intellectually. Dada was also a reaction the bourgeois Victoria values of the late 19th and early 20th centuries. Dadaism was considered â€Å"absurb and playful† but at the same time it was considered to be â€Å"intuitive and cryptic† (Art, 2006). The methods used in producing this Dada art were not conventional and they used what they referred to at the time as â€Å"the chance technique and found objects† (Art, 2006). The Dadaists were trying to make their statement on the â€Å"social values and cultural trends of a contemporary world facing a devastating period of war† (Art, 2006). One of the artists associated with Dada and Surrealism was French artist Marcel Duchamp. However, according to some of my various readings, Duchamp’s actual participation in Surrealism was mostly behind the scenes. Most readings on Duchamp states that once he became involved in New York Dada, he seldom ever participated in Paris Dada. One of the reasons Marcel Duchamp is viewed as an enigma is that he is regarded as having produced one of the most diverse collections of masterpieces in the shortest amount of time. Some of the work Duchamp is most noted for are his oil on canvas â€Å"Nude Descending a Staircase,† â€Å"The Bride Stripped Bare by her Bachelors,† and his â€Å"ready-mades† which include the â€Å"Bicycle Wheel† and the porcelain urinal â€Å"Fountain† (Tomkins, 1985). In one source it was noted about Duchamp’s short creative period, â€Å"Duchamp was content to let others develop the themes he had originated; his pervasive influence was crucial to the development of surrealism, Dada and pop art† (Marcel, 2007). Upon viewing Duchamp’s various art pieces in the research I did for this paper, my personal thoughts are that Duchamp could have even felt that he was even using his Dadaism art in making fun of those who admired it, purchased prints of it and highly regarded it in any way. For example, in claiming a ready-made porcelain urinal and attaching a ready-made bicycle wheel to a ready-made stool, lacked pretty much any originality and even if it Dada was considered anti-art, he could have been fooling his audience. In one of my readings it noted that he was extremely surprised that he already had a large â€Å"fan base† in the United States upon arriving here. It could be that he thought he was â€Å"fooling† less people than he realized with some of the pieces he chose to present as â€Å"his† art. In one of the readings it stated that Duchamp â€Å"retained a sharp sense of humor in all circumstances—even to his death. Through humor, Duchamp abolished the difference between that which possesses and aesthetic quality and that which doesn’t† (Kuenzli). So it could be said that possibly Duchamp was just testing â€Å"us† to see at what if we got his Dadaism joke. While the Dadaist movement eventually declined in its popularity in the 1920’s, many artists who were before practicing Dadaism began practicing Surrealism. There was noted a Dadaism revival which occurred in New York in the mid 1950’s. Many feel this reaffirmed that Dada art was an important artistic movement in the world of arts. References Art History: Dadaism. World Wide. 2006. World Wide Arts Resources. 14 May 2007 http://wwar. com/masters/movements/dadaism. html. Gale, Matthew. Dada Surrealism. Art ideas. London: Phaidon, 1997. Kuenzli, Rudolf. Marcel Duchamp: Artist of the Century. Cambridge, Massachusetts: MIT Press, 1989. Masheck, Joseph. Marcel Duchamp in Perspective. Englewood Cliffs, New Jersey: Prentice-Hall, 1975. Tomkins, Calvin. The World of Marcel Duchamp. Amsterdam: Time-Life,1985.

Red Badge Of Courage :: essays research papers

Henry In Stephen Crane's novel "The Red Badge of Courage", we examine the episodes of war through the eyes of the main character, Henry Fleming. Because the book is rather vague about many details, we don't know how old Henry is, what he looks like, or where he comes from. We do know that Henry is from somewhere in New York and that he was raised by his mother. Although some people argue that throughout the novel Henry matures and becomes a better person, facts from the book show just the opposite. Henry is a conceited , smug young man who sees himself as a martyr and a hero; when in fact he is a coward. Henry begins his journey by signing up for the Union army. While this may seem like a brave step, Henry takes it for the wrong reasons. He is unsure of the Union cause, and without really understanding what he was fighting for, Henry saw visions of himself as a hero. Henry's thoughts of war are rather distorted: He had read signs of marches, sieges, conflicts, and he had longed to see it all. His busy mind had drawn for him large pictures, extravagant in color, lurid with breathless deeds(Crane, 3). This simply shows that Henry had romanticized the was to something of a glorious adventure in his head. Even when his mother tries to give him rational advice, Henry sat disappointed, expecting a speech on heroism and pride. When Henry and his regiment (the 304th New York) finally integrate into camp life, he begins to question himself. His regiment had been static for a long time and Hauptman 2 Henry becomes bored and unhappy. For time he begins to question his bravery and he feels rather insecure. In the regiments first battle, Henry fights well. His admiration for himself reaches a disgusting level: He felt that he was a fine fellow. He saw himself even with those ideals that he had considered far beyond him. He smiled in deep gratification (Crane, 30). In this passage one can see Henry beginning to falsely view himself as a hero. At the beginning of the 304th New York regiment's second battle, Henry notices that two other soldiers are running in fear of the fight. He suddenly becomes rather scared and flees the battle as well. He tries to rationalize his actions to himself by saying: Death about to thrust him between the shoulder blades was far more dreadful than death about

Market Strategy Analysis on Montgras

Hung-Chang Huang 1467751 Case Questions: MontGras 1. (a) To what extent can MontGras control its own market position, as opposed to being dominated by the country-of-origin effect, and be perceived as a â€Å"Chilean Wine†? MontGras, the export-focused winery that was founded in 1992, unlike many other Chilean wineries, actually possessed a considerable control on its own market position in the late 1990s and early 2000s.Although the overall consumer perception towards Chilean wine products indicated that they need to put more efforts to build a solid image globally and that their major advantage is the low price, the situation might not necessarily hurt MontGras’ current market position if and only if the management the link between the decision to adopt the quality strategy, rather than volume strategy, and the fact that Chilean wine lacked a proper image.By pursuing quality-oriented strategy, MontGras is able to further cultivate its brand awareness as a result of th e success of the ultra-premiums(Ninquen line) and the super-premiums(Reserva line), and to eliminate the inefficient cost spent on the joint effort with Chilevid aimed at building a stronger image for the entire Chilean wine industry.Consequently, the problem of country-of-origin effect was, in fact, not significant enough that hampered MontGras’ marketing position as long as the company is fully understand what the appropriate marketing strategy is and adopt it with regard to different market ecologies of MontGras’ export destinations. (b) What implications does this have for marketing strategy? With the worldwide overproduction of vintages, competitions of wines in all segments were predicted more intense, especially in the basic segment, which traditionally accounted for nearly half of the market share of many countries, and 55% of MontGras’ total product in 2001.This indicates that already saturated basic segment, with the smallest gross profit margin for al l the players within the segment, would become a less and less lucrative red ocean. On the other hand, with the recognition that the country-of-origin effect does not incur severe damage to the company as anticipated, MontGras is able to reallocate its advertising expense through emphasizing on the brand, or on the product lines instead of building a stronger image of country-of-origin that would consume a huge portion of its dvertising expense, but unsure of whether consumers in UK or US would buy their effort. Hence, both the two aforementioned factors might serve as a juncture for MontGras to reassess its business strategy, which could be broken into producing part and marketing part, in order to keep the profitable business for long. 2. Evaluate the US and UK options separately. For each country, which option would you recommend and why? In MontGras’ major export market, UK, the company has already gained a substantial success that it ranked one of the 10 most Chilean win e exporters in terms of the value of products.In this picture, its partner distributor in UK had played an important role in MontGras’ UK penetration since 1996. Considering UK market feature, partner with leading supermarket chains such Tesbury is a comparatively feasible way to expand MontGras’ market share because these chain systems control more than 60% of all wine sales. However, partner with Tesbury is not free from side effects. First, at initial collaboration phase, MontGras enjoyed a short term victory without paying the cost of promotion.But in the future, is it able to reap without paying, or would Tesbury ask for more contribution from MontGras after it become too subservient to the large retail system? Second, partner with Tesbury could well create a supplanting effect that threatens its old partner distributor. Thus, my recommendation for MontGras in UK would be to diversify its distributor partnerships as a way to prevent over dependency, which would so mehow cast uncertainty for MontGras’ positioning strategy in the long term.Also, in order to pave the way for future expansion in premium segment, MontGras should keep records of the new marketing plan for Ninquen wines that if the targeting sales of 5,000 cases can cover the proposed GBP 20,000 and generate profit. In the highly fragmented US wine market, with regulatory three-tier distribution system, MontGras had to tackle business with importers, which are usually state-licensed wholesalers too. In addition, by the four prescribed criteria in choosing a countable partner importer, MontGras should be able to prevent the failures from unsuccessful previous partnerships.The first candidate of its partner distributor, World Wine Importers, a larger player that operated 200 brands with a 60-staff sales force, proposed to promote the Reserva line in a volume-oriented strategy with a price range of $8-$11; Cabo Imports, another candidate that operated 50 brands and a sales force of 35, offered a distinct proposal for MontGras that it intend to raise consumers’ perception towards MontGras’ quality and pric range also to broaden the return for both parties through setting a price range $8-$15, and it also intend to release the Ninquen line as a flagship product targeted a $25 retail price.Although the partnership with World Wine Importers seems more lucrative to MontGras in terms of the sales generated by large amount basis, however, simply adopt the results from simple additive questions is obviously not sagacious enough for Mr. Middleton. In general, Cabo Importers would offer a great stage for Reserva(60% of the total), and the newly released Ninquen as well. Thus, accepting Cabo Importers’ offer would be advantageous for MontGras’ market position in US market.

Comparative Critique Of Comparative Capitalism - 1214 Words

CASE STUDY #4: COMPARATIVE CAPITALISM Case Study #4: Comparative Capitalism Florence F. Messi St Thomas University Miami Gardens, Florida Abstract The Merriam-Wester dictionary defines capitalism as an economic system characterized by private or corporate ownership of capital goods, by investments that are determined by private decision, and by prices, production, and the distribution of goods that are determined mainly by competition in a free market. (2015). However for an ideal capitalism to fully operate it requires a set of conditions or institutions such as legitimacy of government and the rule of law, a well-defined property right, firms acting as price takers, not barriers to entry and exit, free capital and labor†¦show more content†¦Yes, the â€Å"varieties of capitalism† model is a recognition that market capitalism economics is in reality political economy. Merriam Webster defines political economy as the theory or study of the role public policy in influencing the economic and social welfare of a political unit. (2015). When analyzing the â€Å"varieties of capitalism† model, spheres of coor dination-which are constraints placed on firms by their nation economic, political system and social system-that define a country capitalism, these spheres of coordination correspond to many fields of inquiry relevant to political economy. Spheres of coordination such as employees’ relationships, vocational training, internal finance governance, refer to the field of study such as regulation, interest groups, comparative institutions, relationships between government and business which are relevant to political economy. Insofar as the Austrian economist Joseph Schumpeter referred to capitalism as a process of â€Å"creative destruction†, which of the two â€Å"varieties of capitalism† is consistent with Schumpeter’s theory? 1. Before choosing which of the two â€Å"varieties of capitalism† is consistent with Schumpeter theory of creative destruction, it is important to remind here what creative destruction is. Creative destruction, an expression coined by the Economist Joseph Schumpeter refers to the incessant product and process innovation mechanism by which new production units replace outdated ones. (Schumpeter, 1942).